On September 13, 2025, I, Vladimir Nadtochiy, joined my wife Alexandra Nadtochiy as the second photographer at a wedding in Toronto. Alongside my professional Sony setup, I decided to bring the Pentax 17, Ricohβs brand-new half-frame film camera.
Unlike vintage compacts like the Olympus Mju-II, the Pentax 17 is brand new (released in 2024), with fresh optics, a warranty, and no hidden issues like light leaks, hazy viewfinders, or moldy lenses. For me, this was crucial β on eBay or at thrift shops you can still find working film cameras, but theyβre 20β30 years old. I wanted a camera I could trust at an actual wedding without worrying about whether it would jam mid-roll.
I purchased my Pentax 17 in September 2025 on Canadian Amazon for CAD 679.99 (link to camera). I paired it with Kodak Portra 400 (film link), a stock I know well and use often.
The Pentax 17 is a half-frame film camera:
On a standard 36-exposure roll, you get 72 photos. For film shooters, this dramatically reduces the cost per frame. In Toronto, developing + scanning one roll costs me CAD 50β55. With the Pentax 17, thatβs effectively half the cost per shot.
The camera worked beautifully during the morning. With flash on, the look was straight out of the 90s β bright, direct, and nostalgic. Perfect for capturing details like shoes, vows, rings, and candid moments of bridesmaids getting ready.
I deliberately set the ISO dial to 100 even though I was shooting Portra 400 β this way I overexposed by two stops. Combined with exposure compensation (+1 or +2 near windows), the results were soft, airy, and flattering.
This was the cameraβs weak spot. The f/3.5 lens is too slow for dark interiors. Without flash, many shots came out underexposed. Sure, I could have used a tripod or night mode, but as a second shooter I was busy assisting Alexandra. In these conditions, a faster lens (like f/2.8 or f/2) would have been more suitable.
Here the Pentax 17 really shined. With good daylight, skin tones from Portra 400 were gorgeous, and the half-frame aesthetic made portraits feel vintage yet vibrant. Zone focusing at 1.7 m or 3 m was quick and intuitive.
With flash, the Pentax 17 produced classic direct-flash wedding party vibes. The half-frame look made the series of dance floor shots feel like a photo diary, capturing energy and emotion without overthinking composition.
For me, the 72 shots per roll outweighed the speed advantage of the Olympus lens.
The Pentax 17 is not a perfect wedding camera, but itβs an excellent creative tool. It wonβt replace your main digital setup, yet it brings authentic film character to a wedding gallery. Clients love seeing film shots alongside digital coverage β it feels special, unique, and timeless.
If youβre a wedding photographer in Toronto or anywhere else and want to bring film into your workflow without relying on fragile vintage gear, the Pentax 17 is worth considering.
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π Nadtochiy Photography Portfolio
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Whether you're planning a once-in-a-lifetime wedding or capturing the simple magic of family, weβd love to be there β quietly documenting it all, with heart and artistry.